Instead, the shop owner (played with an undercurrent of kindness by Ira Scipio) makes an offer on Danny’s wedding band.īrooklynn Marie provides a spirited respite as Kali’s blunt friend, who offers a thick blunt and plenty of advice. The lesson continues when Danny stops by a barber shop that doubles as a pawn shop, hoping to hawk a bracelet. When one of Danny’s clients comes up short, it’s not karma so much as a sharp insight into Pandemic Econ 101. (Still does.) Their benevolence infuses “I’m Fine.”ĭanny’s needs are dire, but her babysitter (Dominique Molina) needs her money, too. ![]() Kali - winner of a 2018 Student Academy Award for her short “Lalo’s House,” about two Haitian sisters abducted into a human trafficking ring - and Molina seem genuinely moved by the pressures the pandemic exerted on folks. The directors, their crew and ensemble do sweet work capturing the weight of a moment that has most everyone stretched thin. Cinematographer Becky BaiHui Chen keeps things fluid and brightly hued. Kali has an awareness of what can-do desperation looks like, while providing her character some serious skate skills. When that isn’t as gainful as she needs it to be, she delivers food for a Door Dash-style app. Only, instead of ha-ha challenges, Danny encounters the poignant, the frustrating, even the perilous.įirst, she tracks down her hair-braiding clients - doing their plaits in backyards, masks on. “I’m Fine” teases the structure of comedies in which something must be achieved in too short a span. Once Danny they emerge from the field where their tent is hidden and Danny drops Wes off at the sitter’s, she is off and skating. ![]() ![]() They’re unhoused and with that comes stress and no small measure of shame.
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